Showing posts with label Photography. Show all posts
Showing posts with label Photography. Show all posts

Friday, 17 July 2026

Vivien Edwards – a life to celebrate

 I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived [1].

Photo: Beth Bowden

Those who come to this website for quality writing and research are always in good hands if the article that piques their interest is the creation of Viv Edwards, an occasional contributor since 2011.  Viv died on 9 June 2026.

Elsewhere on this site you can find her characteristically modest explanation for her self-taught skills in reporting the past: “History sparked my interest, after finding an old Hospital Board report on the 1918 influenza epidemic, while nursing at Auckland Hospital. This led to several articles, talks and researching other topics.” 

Vivien was always one for understatement.  Her output over her lifetime was prodigious.  She never seemed to stop working.  As a mature student, she graduated B. Sc in biological sciences, a disciplined achievement for the working mother, by that stage, of two sons.

Nurses graduation. Staff nurse V.S. Edwards, Tutor nurse E. Hereford (2/2). Published 29 September 1964. 
Te Ao Mārama - Tauranga City Libraries Photo gca-7396

Her first and early career as a nurse culminated when she became a nursing tutor.  Some of her alumni were at her memorial service, and spoke warmly of her abilities to communicate technical information in a way that never lost sight of the human dimension.  She adapted that to many different subject areas in her lifetime.

For instance: she was the author of "Winkelmann: Images of Early New Zealand" (Benton Ross, 1987) and "Battling the Big B: Hepatitis B in New Zealand" (Dunmore Publishing, 2007). The two books could not be more different.  The first is a beautiful art hardback in large format, dealing with nineteenth-century challenges of photography.  It met the technical challenges of twentieth-century book production so well, it won the 1988 Book of the Year prize in that category.  The second is a contemporary account of health reform efforts led by Dr Alexander Milne.  His work is much cited in on-line journals but it takes 27 Google search listings before Viv’s work shows up.  Hers is not a scientific report; it is an eye-witness story – a ‘first draft of history’ - of just how hard it was to deal with an unacknowledged epidemic [2].  

Book of the Year award, 1988. Photo courtesy of Trevor Hoff

After leaving nursing in 1984 Viv made her living as a freelance writer for over 20 years, working for trade and professional magazines such as NZ Forest Industries Magazine, NZGP (the periodical for general practitioners), Management, NZ Business, The Transportant, Pharmacy Today, Safeguard, Her Business, NZ Pine International, Sea Spray, Bits and Bytes, Uno (Waikato and Bay of Plenty), and the Shed.  Every article was clipped and meticulously filed - in scrapbooks; her early journalism pre-dated the World Wide Web although she was quick to see its benefits and adapted fast.

Blogs for Tauranga Historical covered things that caught her fancy.  You can search for her articles on -

  • Oliver Macy Quintal (July 2011).  Pursuing this early lawyer’s past took her and her partner Trevor to find his grave on Norfolk Island.
  • Hannibal Marks, Harbourmaster (July 2014).  One of the many maritime tragedies of Tauranga’s past: he drowned here.
  • Tauranga Hospital’s Roof Garden (Feb 2019).  Viv took the photos to illustrate this article.  Her eye for colour and form is evident.

She also wrote a personal memoir of her nursing days for the Historical Review [3].  A 50-year history booklet written for New Zealand Lumber, 'History in Motion: Evolution of the NZL Group 1949-1999”, was aptly named; history never stood still for her.

Perhaps her most telling achievement was the long effort to publish the story of Mary Sutherland, the first woman forestry graduate in the world. At some point in her magazine-article work she opened a long-ignored filing cabinet at the Forest Institute and discovered a trove of papers relating to Mary.  Although her memorial plaque is in Whakarewarewa Redwood Forest, Viv knew there was more to explore.

Viv and an as-yet unidentified companion at Mary Sutherland’s memorial, c. 2011. Photo courtesy of Trevor Hoff

For several years she researched and wrote Mary’s story.  A Path Through the Trees was published in 2020 and in 2021 won the Ian Wards Prize “for making substantial imaginative and exemplary use of New Zealand archives and records.”

This is a fitting accolade for Vivien’s professional competence.  She had advanced bibliographical skills; she was a capable indexer; she was also a warm and insightful interviewer whose personal communications gleaned information that otherwise would never have come to light.  Before the internet, before and during the advent of the personal computer, she had a knack for the research process and collecting and managing large amounts of information.

She was also a tiger for the truth, who doggedly pursued her hunches.  Mary Sutherland first saw the light of print in 2011, as an entry in the Tauranga Library’s 2011 Memoir and Local History Competition.   If Trees could Talk: the Whakarewarewa Redwoods was the title of the essay [4].  It was to be a long time before the book itself showed up. For this and all these other reasons, Tauranga Historical can be very proud of her.

References

[1] David Thoreau, Walden; or Life in the Woods, Ticknor and Fields,1854. At the memorial service my eulogy concluded with a fuller passage from this work, which can be found at https://www.environmentandsociety.org/mml/walden-or-life-woods

[2] The book is now out of print but can still be borrowed from Te Whatu Ora’s library in Tauranga.

[3] Historical Review, Vol 70, No. 1, May 2022: Vivien Edwards, Nursing at Tauranga in the 1960s

[4] https://paekoroki.tauranga.govt.nz/nodes/view/20049

Tuesday, 7 April 2026

Forestry on Matakana Island in 1969

From Tauranga City Library’s archives

A monthly blog about interesting items in our collection

Te Ao Mārama - Tauranga City Libraries' Heritage and Research Team and its predecessors have been collecting local history material for over 50 years. The snapshot above is from a set donated to the team by Hamilton City Libraries - Te Ohomauri o Kirikiriroa, and digitised in 2021. The set is undated, but looks like it may be from the 1970s or 1980s. The set can be viewed here, each individual image includes an edited version with colour restored, due to severe fading of the original prints.

The present Heritage and Research Team at Tauranga are reviewing their Vertical File collection and other, related items are emerging. In the Forestry file was an article clipped from an unidentified magazine and with no date, called "Matakana Island : reaping the Pineland wealth", by Olaf Petersen. After some investigation we determined it was published in the New Zealand Weekly News of 2 June 1969. We have added a scan of the article to Pae Korokī.

It contains twelve images selected from photographs the Auckland-based Petersen took of timber felling and processing on Matakana Island, in Tauranga Harbour. Of the twelve photographs in the piece, eight include pictures of individuals. For some reason only one of them is named - Mr Stuart Hume, forest plantation manager on Matakana - in the top left corner of page 31.

In 1988 the photographer donated his archive to the Auckland War Memorial Museum. It is described at length in their Collections Online entry for the archive. Two of the photographs from this article have been digitised. The photographer had collected information about his subjects that wasn't included in the published article, so we can now add a little bit more detail to the story of forestry on Matakana Island.

The photograph on page 31 captioned "A stack of timber is wired together ready for transport" is described by Auckland Museum as "Photograph of Hohepa (Joe) Hamuera Kohu working in a shed and operating a hand lever used in timber production".

The photograph below it, captioned "Morning tea break in the Pinelands forest on Matakana", is described as "Three men who are working at felling trees in the forest, stop for a break to drink from jars and a thermos. On verso the men are named as L to R; Melbo Rolleston, Charlie Murray, Eru Tukaki. They are surrounded by felled trees and a stand of forest in the back ground. Sitting on the trees near them are two chainsaws and an axe". The published version has been cropped and is missing Melbo Rolleston.

We hope that over time more photos used in the article will be digitised, allowing the identification of more individuals.

Extracting the article, finding the work of other institutions and receiving donations has allowed us to both increase our knowledge of a subject of local interest and enable more questions to be asked. This process of accumulation can be slow and indirect, but placing it in Pae Korokī opens it up to discovery and engagement by one of the distinctive communities of Tauranga Moana. 

Sources:

Matakana Island / Neil G. Hansen. Journal of the Tauranga Historical Society No. 63, August 1979, pages 38-40 (or 41-43 of the PDF).

Matakana Island (Tauranga) / Jinty Rorke. Te Ao Mārama - Tauranga City Libraries, Matakana Island.

Matakana Island / Suzanne Woodley. Wellington, N.Z. : Waitangi Tribunal Division, Department of Justice, 1993.

Petersen was a well-known photographer who died in 1994. Te Ao Mārama -Tauranga Libraries holds copies of a recent collection of his nature photography - Nature boy : the photography of Olaf Petersen.

Friday, 27 February 2026

A to Z of Tauranga Museum: C is for Cameras

 

Bay of Plenty Times staff photographer, 1977. Te Ao Mārama - Tauranga City Libraries Photo gca-22569

As a holiday destination known for its stunning scenery and photogenic landmarks like Mauao, it’s fitting that Tauranga Museum holds a varied and interesting camera collection. Our town has also been home to several notable photographers, yet it is the camera of amateur photographer and longtime resident William Poole that tells a story reaching far beyond our rohe.

An WW1 album page capturing candid moments at the front. Hauraki Association Collection, Tauranga Museum.

Historians have often described the First World War as the photographic event of the 20th century. The Vest Pocket Kodak became the soldier’s camera of choice, favoured for its small size and affordability. Although military authorities banned cameras at the front - concerned that sensitive information could fall into enemy hands or that confronting images might damage morale at home - Kodak continued to encourage soldiers to create their own ‘picture record of the war’. Many did, ignoring the ban, and the photographs they captured now form an important visual record of their experiences. 

Kodak Vest Pocket Autographic that belonged to Lieutenant William Poole. Tauranga Museum 0610/03

This Vest Pocket Kodak Autographic camera belonged to William Poole. Before enlisting, William ran a dental surgery on The Strand, located above A. J. Mirrielees, Chemist and Optician. Mirrielees was the town's Kodak dealer and throughout the war he placed regular advertisements in the Bay of Plenty Times promoting the Vest Pocket as the “ideal gift for a soldier.” William's camera and leather case were donated with a handwritten note: "This Vest Pocket Kodak camera was used by Capt. W. H. J. Poole 40684, NZ Dental Corps during WW1. See the stylus which was used via the little flap to give a title to each photograph." 

A pre‑WW1  photograph of The Strand shows William Poole’s surgery in the top left‑hand corner. Tauranga Museum 0614/08

Frustratingly, none of the photographs William may have taken with this camera during his two and a half years with the New Zealand Dental Corps was included in the donation to the Museum. His war record shows that he spent most of this time treating soldiers’ teeth in New Zealand.  He served just 96 days overseas before being returned home, due to ill health. 

Friday, 20 January 2023

Tauranga Photographers: Alf Rendell

Alf Rendell and the Tauranga Aero Club Tiger Moth that he used for aerial photography
Photograph by Lee Switzer, 2006
Lee Switzer Photographic Collection, Tauranga City Library,
Pae Korokī

It was perhaps inevitable that Alf Rendell would become a photographer. He was born in 1917, son of Whakatāne photographer Robert John Rendell who had plied his trade throughout the central and eastern North Island for at least the previous two decades. When Alf was a mere eight months old the family moved to Tauranga, Bob Rendell becoming a meter reader for the Power Board while taking photographs for the Auckland Weekly News. Eventually Rendell senior purchased the existing business of Robert Meers in 1926, situated in the old Triangle building at the bottom of Devonport Road, and he soon became the town’s leading, and most prolific, studio and scenic photographer.

The Strand from Taumatakahawai Pa, 1949
Photographed by Alfred H. Rendell, hand-coloured by his sister Marjorie West
Tauranga City Library, Pae Korok
ī Ref. 99-385

Alf left school in 1934 during the Depression. He had little chance of finding a job so he started working for his father, following the footsteps of his older sister Marj (Marjorie) who was already working in the darkroom and hand-colouring prints. He soon graduated to taking photos himself using a half-plate camera with glass plates to produce scenic postcards, printed by the thousand, and cut film (5”x4”), film packs and roll film for other large and medium format work.

Mauao from Otumoetai, c. 1950
Photographed by Alfred H. Rendell, hand-coloured by Marjorie West
Tauranga Heritage Collection, Ref.
0243/11

At the end of 1938 his father retired due to ill health. Alf took over business in January 1939, moving from the Triangle building to premises further up Devonport Road at No 10 (opposite the Star Hotel), and running it as a retail photographic shop. He also did outdoor photography, mostly on the weekends, including taking a number of yachting photographs, and keeping him extremely busy. The shop had to be closed when he went into the army in 1941, after the outbreak of the Second World War.

Allen Unsworth Subdivision, Omokoroa Peninsula from the air, 15 August 1956
Photographed by Alfred H. Rendell, hand-coloured by Marjorie West
Tauranga City Library, Pae Korok
ī Ref. 21-1307

Alf initially served in an infantry battalion (34th Battalion, 3rd Division), garrisoned on the island of Tongatapu (Kingdom of Tonga) from October 1942 until March 1943. On arrival they were ordered to hand in their cameras but Alf, with credentials as a professional photographer and a good stock of film, was selected to be the Battalion photographer. He was issued with a bicycle, given permission to roam the island, and took photographs of local Tongans during his spare time (Fioan Kean, pers. comm.) He was soon transferred to the Public Relations Group, and then spent the rest of the war in New Caledonia, running a ramshackle dark room with “very, very modest” equipment, printing and publishing press and archival photos taken all over the Pacific theatre, including the Solomon Islands. Occasionally Alf would get out to take photographs, for which he used a large format Speed Graphic press camera with cut film.

B
Rendell’s Camera House (at right), Devonport Road, July 1965
Photograph by Bay of Plenty Times staff photographer
Tauranga City Library, Gifford-Cross Photographic Series, Ref.
gca-9714

After three years overseas, Alf returned to Tauranga in 1945 on being demobilized from the army and started his business almost from scratch. Fortunately, his landlord had reserved his old premises downstairs in the “old Chrysler building,” for him while he was away. Materials were in very short supply in the first few years, but he opened the retail shop, did outdoor work on the weekends, and took candid photographs from a small canvas studio set up in the street. Glass plates were out, and film was in. Street photography had become very popular during the war, a trend probably popularized by American servicemen on their way to and from the Pacific. His postcard views included the ever popular views of the Strand, the gardens and the floral ship.

Greerton from the air, looking down Cameron Road, 1950s
Photographed by Alfred H. Rendell, hand-coloured by Marjorie West
Tauranga City Library, Pae Korok
ī Ref. 12-625

In the mid- to late 1940s oblique aerial photos, and in particular hand-coloured enlarged prints, were being popularized countrywide by White’s Aviation and a number of other operators. Alf started to use the Tauranga Aero Club’s Tiger Moth as a platform for taking a series of views that showed a rapidly growing Tauranga. He described the experience as tricky, requiring him to be seated in the front cockpit and operating the camera over his shoulder while the plane travelled at an altitude of under 2000 feet. He also hired out movie projectors, which may have been a key reason to why he hardly ever had a moment to himself (Fiona Kean, pers. comm.)

Main Beach at Mount Maunganui, c. 1958
Photographed by Alfred H. Rendell, hand-coloured by Marjorie West
Tauranga City Library, Pae Korok
ī Ref. 21-1919

Other outside work included commissions for commercial buildings, school photos, wedding portraits, a variety of events and occasional press work, but he did not take studio portraits. He used a Linhof 5”x4” rangefinder on a tripod with cut film or film packs for large format work, Zeiss Ikon folding cameras and a Rolleiflex twin-lens-reflex – his favourite – with 120-format roll-film for other work.

When he opened a studio in Cameron Road in the late 1940s, Alf employed an assistant who had previously employed at Amy Harper’s fashionable Belwood Studios in Auckland’s Queen Street and Karangahape Road, and who came up with the name Renwood Studios, which was used for the new business. In 1957 he sold the outdoors part of that business to assistant Adrian Orr, who then went out on his own, opening premises in East’s Building, Devonport Road. Alf continued with the photographic supplies retail shop. Although he needed to be on the premises from 8am until the close of business at 5pm every weekday, this gave him some freedom for family and other pursuits at weekend. In the twelve years since the war ended, Alf had taken only two four-day breaks from his business.

From the early 1960s his son Graham came to work for him. They built a branch at 155 Maunganui Road, Mt. Maunganui, opened in 1970, with a small studio and retail outlet, and where Alf’s wife Joan operated a gift shop.

Bernie Judd, Alf Rendell (right) and Rendells Camera House, Devonport Road, December 1974
Photograph by Bay of Plenty Times staff photographer
Tauranga City Library, Gifford-Cross Photographic Series, Ref. gcc-27235

When the building his shop was in was demolished in July 1972, Alf bought out the business of Jim Kirk, who had a little shop in the Regent Theatre building, and operated from there until the new Bay Savings Bank building was finished in December 1974, when he moved back in. He sold the branch at the Mount in 1975, when Graham took over the Tauranga shop and Alf helped out part-time for the next four to five years. Graham started another retail shop in the Mid City Mall across the road on the corner of Spring Street in 1974, named Mid City Fast Photos. The business was later sold to Ashley’s Magnificent Photo Shop.

Alf didn’t keep count of the photographs he had taken, but the films used for postcard production (each containing 8, 12 or 14 exposures) were numbered and reached eight or nine thousand. A further series of other films was numbered up to around 2000. At a conservative estimate, that amounts to perhaps 100,000 photographs. Alf died in December 2019, aged 102, leaving a huge legacy of prints and negatives in Tauranga’s institutions and homes, and a place in our hearts. Thank you Alf, for your friendship to many and huge generosity to anyone who showed an interest in your work. You are missed.

Alf Rendell loading a Rolleiflex camera, 2015
© Moana Bianchin |
cloudnine.co.nz

Alf Rendell may not have needed much introduction to long time residents of Tauranga, where he lived almost his entire life, or to members of the Society, of which he was an active and long-time member. He and his photographs have featured in Journal articles and in the magnificent volume Rendell’s Tauranga accompanied by an exhibition eight years ago, prepared with Fiona Kean. A 1997-1998 interview with Alf by Jinty Rorke has recently been digitized and made available on the Tauranga Library’s Pae Korokī digital resource, supplemented with a second interview by Harley Couper in 2012. This account leans heavily on material gathered during both of these interviews, as well as in numerous informal conversations with Alf by Fiona Kean and myself.

References

Payne, Brett (2014) Omokoroa Point, by Alf Rendell, Tauranga Historical Society Blog, 30 Sep 2014

Payne, Brett (2018) Robert John Rendell, Historical Review, Bay of Plenty Journal of History, Vol 66, No 2, p19-26

Kean, Fiona (2013) Alf Rendell, photographer, Tauranga Historical Society Blog, 2 Aug 2013

Kean, Fiona (2015) Rendell’s Tauranga: Historic Tauranga from Above, Tauranga Historical Society Blog, 30 Oct 2015

Kean, Fiona (2019) Alf Rendell turns 102, Tauranga Historical Society Blog, 2 Nov 2019

Kean, Fiona (2020) Alf Rendell, 1917-2019, Tauranga Historical Society Blog, 28 Jan 2020

Rendell, Alfred H. & Couper, Harley (2012) Alf Rendell interviewed by Harley Couper for the Tauranga Memories website, Tauranga, 2012, Digital file, Tauranga City Library, Pae Korokī.

Rendell, Alfred H. & Kean, Fiona (2015) Rendell’s Tauranga: Historic Tauranga from Above. Paper Plus, Tauranga

Rendell, Alfred H. & Rorke, Jinty (1998) A. (Alf) H. Rendell (1917-2019) interviewed by Jinty Rorke, 1997-1998, Digitised Video8 Tape, Tauranga City Library, Pae Korokī Ref. AV 21-002/21

Friday, 20 May 2022

Photographing the Queen: the 1963 Royal visit (Part 2)

Amateur photographers wait for the Queen to arrive, Waitangi, 6 February 1963,
Still from movie footage by British Pathé, “New Zealand Greets Queen,” on YouTube

Part 1 of this article looked at press photography during the Royal Visit to Tauranga on 9 February 1963. Some of their output may be found online in archives such as Tauranga Library’s Pae Korokī or, in the case of cine footage, on YouTube. Any stills or clips which include crowd scenes, however, show an enormous number of cameras in the hands of amateurs, many of whom have jostled their way to the front row or found an elevated point to capture the Queen and the Duke as they went past.

The Queen and Mayor David Mitchell at Memorial Park, 9 February 1963
Bay of Plenty Times, clip from 120-format film negative
Tauranga City Libraries, Gifford-Cross Collection, Pae Korokī Ref. gca-4687

The scene above captured by a Bay of Plenty Times staff photographer includes several onlookers with cameras at the ready: a young boy with a Kodak Starlet at far left, a man with a range finder, another man (in white hat) holding a box camera at waist level, an older man with a cine camera and, at far right, another man operating a cine camera. This was most likely Norman Blackie, whose footage of the day was donated to Tauranga City Library and subsequently deposited with Nga Taonga Sound & Vision.

The Queen and Mayor David Mitchell at Memorial Park, 9 February 1963
Still from 16mm movie footage by Norman Blackie, “Coloured Fountain & Royal Visit – 1963”
Collection of Nga Taonga Sound and Vision
Digitised for Tauranga City Libraries, Pae Korok
ī

The footage has recently been digitised and will be made available in due course on Pae Korokī.

The Queen arriving at Ocean Beach, Mt Maunganui, 9 Feb 1963
Bay of Plenty Times, clip from 35mm format film negative
Tauranga City Libraries, Gifford-Cross Collection, Pae Korokī Ref. gcc-1606

Among the onlookers here welcoming the Queen and Prince Philip to Ocean Beach, Mount Maunganui, at least nine in this view are wielding cameras.

Kodak advertisement, The Press (Christchurch), 2 Dec 1963 (Papers Past)

Since the previous Royal Visit nine years earlier, photography had become an almost ubiquitous presence in society. Not only were all the major newspapers sending photographers far and wide to fill each issue with images, but almost every household would have owned multiple cameras. Several Tauranga chemists, such as L.E. Woods, David Jones and B.F. Martin, as well as more specialist shops like Rendell’s and Carter’s Photo Service, would have stocked and processed film, as well as selling cameras such as those advertised by Kodak New Zealand.

Kodak Camera Parade product display, Kodak (Australasia) Pty Ltd, c. 1963
Museums Victoria Collections, Ref. MM 107147

By 1963 the available models ranged from the Brownie 127 at the lower end (for £1-15-9) to the Retina Automatic I (£53-11-6) – equivalent to a range from roughly NZ$61 to $1845 in today’s money. The Brownie Flash II, of which there were several examples included in the above product display, was the latest in a long line of successors to the original Brownie produced in 1900, and cost £2-19-6.

Kodak camera models available in 1963, from L to R, (back row) Brownie Flash II, Retinette IB, Brownie Starflash, Brownie Starlet, (front row) Brownie 127, Retinette IA, Retina Automatic I
Collection of Brett Payne

Judging by the number of these cameras that turn up for sale on TradeMe, some still with a film inside, they were valued possessions. Although by this time the Starlet and 127 were predominantly made from plastic and marketed primarily for use by children, the top end Retina models were high spec pieces of equipment originally designed to compete with rangefinders such as the Leica and Contax.

Sightseers in Waikorire (Pilot Bay), Mount Maunganui, 9 February 1963
Colour positive transparency by Robert Gale
Image courtesy of Tauranga Heritage Collection, Ref. 0005/20/594

The colour slide view above, showing Waikorire (Pilot Bay) crowded with sightseers and the Queen’s motor launch in the foreground, off Salisbury Wharf, was one of several taken that day by local resident Robert Gale, a teacher and member of the Tauranga Photographic Society. It is among more than 2000 slides deposited by his family and Alf Rendell with the Tauranga Heritage Collection.

The Queen and the Duke depart from Salisbury Wharf, Mount Maunganui, 9 February 1963
Colour positive transparency by unidentified photographer
Image courtesy of Tauranga City Libraries, Pae Korokī, Ref. 04-305

In another colour slide, this one taken by an unidentified photographer, probably within minutes of the previous shot, and held by Tauranga City Libraries, well-wishers farewell the Royals as they head down Salisbury Wharf to the waiting motor launch.

Queen Elizabeth and Prince Philip in Australia, 18-19 February 1963
Black-and-white positive transparency by Robert Gale
Image courtesy of Tauranga Heritage Collection, Ref. 0005/20/131

Tauranga residents continued to follow the progress of the Royal Tour after they had left Tauranga. Robert Gale took this photograph of the television reportage on 20 February 1963, presumably on their arrival in Canberra (18th) or Adelaide (19th). There must be many more such images out there in the community. A short home movie clip from Archives New Zealand shared on Facebook a couple of years ago (watch here) brought several responses from people who remembered the day well.

It is my feeling that Tauranga’s 1963 Royal Visit may have been our most photographed event to date – perhaps not on the scale of the multitude of cell phone images taken nowadays, but a huge record for the time. Many of those snapshots and home movies have inevitably been discarded over the last six decades during attic clear-outs, moves and rationalisations, but there must still be some around. If you have any taken on that day, either by yourself or other family members, and are happy to share them, it would be nice to hear from you. Please email me at gluepot@gmail.com.

References

Royal Visit 1963 Itinerary, P.M. No. 60/1962, Transcripts from the Prime Ministers of Australia, URL: https://pmtranscripts.pmc.gov.au/release/transcript-586